Tuesday, May 7, 2013

Review: Hocking Hills Festival of Poetry


Hocking Hills Festival of Poetry
Presented by The Power of Poetry

            “I have laid aside business, and gone a’fishing.”
            (Izaac Walton, The Compleat Angler, ca. 1650)

The Izaac Walton Lodge, up the slope from Lake Logan, is the unpretentious home for the unpretentious—and magnificent-—annual Hocking Hills Festival of Poetry, this year held on April 19–20.

Alan Cohen, who says he is “the planner, cook, schlepper, dish washer, talent agent, etc.,” estimated that the Festival—whose theme, “Songs of the Other World”—brought together some 140 poets and friends from as far as California and Maryland.

Special guests were poets Naomi Shibab Nye and Rosemerry Wahtola Trommer and storyteller Will Hornyak, who read or performed from their work each evening. More on them below.

First, we heard music, performed by pianist Evie Adelman and flutist Gert Young, of Bach, Schumann, and others. (There was an occasional flat note.) Laz Slovits played guitar and sang versions of Shihab Nye’s poems that he put to music; one he played on the pennywhistle.

Three guests were teenagers, one who said poetry helped him overcome a stutter. Two recited poems from the NEA’s Poetry Out Loud competition; another, from Alan’s group, Wellspring of Imagination, read one of her own.

Each evening, Alan read his own thoughtful essay on the power of poetry. We also heard Kari Peterson read her poem, “Serving,” which won the festival’s poetry contest.

The Featured Guests

First, why a storyteller? Immediately I realized that Will Hornyak, like poets, celebrates language. Friday he began amusingly with the Irish saying, “A writer is a failed conversationalist.” Most of his folktales—about Death at an old woman’s birthday party, for instance—were Irish, in perfect brogue. Saturday, he told a Nez-Pers creation story and a hilarious story about frustrated young widows, nuns, and penises.

Saturday morning, he led a storytellers’ workshop. I didn’t attend, but I heard plenty of laughter from the back of the lodge.
      
Both nights Naomi and Rosemerry read their poetry, each with warmth, humor and grace; Rosemerry sang some of her stanzas. The ghost of William Stafford breathed through poems by both poets. Also, Naomi often spoke of Ted Kooser, and Rosemerry of Rumi.

Naomi’s poems thread metaphor with time and place; many draw from her Arabic heritage (see “My Father and the Fig Tree,” in Tender Spot, for instance). Rosemerry’s poems (such as “Epistemology” in The Less I Hold) are very imaginative and sophisticated streams of metaphor. A few of her poems, however, struck me as a smidgeon too cute.

Saturday morning, Naomi and Rosemerry presented a workshop for poets. Their prompts were deceptively simple—write poems combining short lists: what you don’t know, what you’re grateful for, etc.

It was all a great success. Other than small complaints about the website and the anthology, Follow the Thread, I have only one substantive suggestion: Hold at least one event on Saturday afternoon. How about several small circles for open readings? Or for discussion of selected poems, say, from Stafford, Kooser, or Rumi?

Come to the Hocking Hills Festival of Poetry next year. But bring a soft cushion; you'll be sorry if you don't.

 - Craig McVay, Columbus

Sunday, March 3, 2013

A Few (Unsolicited) Lessons from Sharon Olds

Sharon Olds Reading 
Columbus College of Art & Design
2/28/13

As some of my fellow poets and friends know, I was fortunate enough to take part in a 5-day workshop with Sharon Olds back in 2005 at the Esalen Institute, a beautiful retreat atop a seaside cliff of northern California in Big Sur country. While one of my fondest memories of that experience is of falling asleep each night with the sound of the Pacific crashing against the rocks at the base of the cliff outside, I also will never forget the amazing workshops with Sharon. She, like her poetry, is honest, introspective, and relentless in tackling her demons—both internal and external. For those of us who love her poetry, this may be the biggest reason why.

The Esalen workshops taught me a lot about my own work, such as how to take chances in my poems, and so again did the evening this past Thursday at Columbus College of Art and Design (CCAD), where Sharon gave a wonderful reading, sandwiching a “conversation” period between two segments of poetry. Walking away from the auditorium—which was packed, by the way—I reflected on some of the notes I’d taken and share them here.

During the first set of poems, she read a gripping piece that tackled the horrific act of the rape (and I suspect murder) of a young girl by a man. After the poem ended, there was an overwhelming silence in the auditorium, and for a few seconds you could tell the audience was in a bit of shock, tension filled the room as we reeled a bit from Ms. Olds’ forthright yet masterful treatment of the subject. There was a pause, as reader and audience stayed silent for a few moments. Then little joke, like a good reader or performer would do, she made a little joke—nothing over the top—and that tension was eased. The small laughs from the audience acted as a reset button, so that she could move on to the next poem without her peers being too distracted by this gripping poem.

At one point during the “middle act,” Sharon answered questions from the audience and addressed one about her process—a question that seems to be mandatory for any featured poet, along with questions about one’s poetic influence(s) and who he/she is currently reading. Her answer included an explanation that she writes all poems by hand—as do I—in the pages of wide-ruled, spiral-bound notebooks using a plain ballpoint pen. But she also described her revising process, noting: “I take away half the adjectives and one-third of the self-pity,” a remark that drew considerable laughter.

For the most part, I would describe Sharon Olds as a very good reader/performer, primarily because she’s open, honest, and uses humor very well, which I think is a key for any featured poet. Nonetheless, I was a bit distracted by the way she periodically checked her wrist watch. Don’t get me wrong, a good reader should have an eye on the clock and keep to the schedule. But it shouldn’t be so obvious. She could have taken her watch off and set it on the podium, giving it an occasional glance. If there was any flaw to her performance, that would be it. Otherwise, she held the audience in the palm of her hand.

Chuck Salmons
OPA Vice President
March 3, 2013

Saturday, November 3, 2012

OPA Now Accepting Submissions for High School Contests

The Ohio Poetry Association is now accepting submissions for its annual High School Contests. For more information, visit the OPA website at www.ohiopoetryassn.org or click here for a flyer with complete details.

Please spread the word to any Ohio high school English teachers you may know. While we have about 200 schools on our mailing list, we know this is only a small number of those that might want to participate. The more schools, the more entries. And the more entries, the better quality of submissions.

Ten winners from Ohio will have their poems sent on to the National Federation of State Poetry Societies annual Manningham Trust Youth Poetry Competition. In recent years, young Ohio poets have done very well. In fact last year's Ohio winner, Erica Sallee of Briggs HS (Columbus), took second place at the national competition.

We look forward to reading more great poems this year from Ohio's young poets!

Sunday, October 7, 2012

SRCA Chapbook Competition

ATTENTION OPA MEMBERS!
Standing Rock Cultural Arts (SRCA), a 501(c)(3) nonprofit cultural arts and education organization in Kent, Ohio, is holding its third annual SRCA POETRY CHAPBOOK COMPETITION.

Details:
  • Entry Fee: $9 per manuscript (via Submishmash) to defray expenses and support poetry programming.
  • ALL ENTRANTS RECEIVE A COPY OF THE WINNING CHAPBOOK.
  • Contest open to U.S. residents only.
  • WINNER RECEIVES 25 COPIES AND $50 MINIMUM CASH PRIZE.
  • Submissions accepted July 1-October 31, 2012. Electronic as well as mailed entries are accepted; electronic preferred.
  • Guest judges will be Lynne Albert, John Dorsey , and Allen Hines. Editor Tina Puckett may judge in the finalist round. Entries are blind and the guest judges will be blind judging entries. The editor will see entries only if there is an issue with a submission at the time of receipt.
  • See http://standingrock.net/LiterarySeries.htm for full submission guidelines, rights, judge bios, and to read about our previous winners and titles.
Please read all guidelines and rights prior to sending submission! Inquiries (without attachments) may be sent to SRCAChapbook @ gmail.com.

Other contact info:

Rock in the River Literary Series
Standing Rock Cultural Arts
257 N Water St
Kent, OH 44240
www.standingrock.net
info@standingrock.net - general inquiries

Saturday, September 8, 2012

Columbus Foundation Grant Awarded to OPA

As reported in the most recent edition of Workshopping Our Words, several months of hard work by the OPA team has paid off in the form of a Community Arts Fund grant from The Columbus Foundation (TCF). After painstakingly updating the OPA profile, submitting applications, and patiently awaiting a response, the Association was awarded a grant of $500 this past summer. These funds will be used to help produce the forthcoming OPA anthology.

The OPA first established a profile with TCF two years ago under the guidance of then-OPA President Doug Rutledge. The profile is part of the TCF PowerPhilanthropy program and was originally established in an effort to improve OPA's ability to secure funding via charitable giving. The first success of these efforts was achieved last fall, when OPA raised over $700 during the TCF “The Big Give” campaign. Since that time, OPA officers have steadfastly sought other avenues of fundraising.

Those interested in donating to OPA may do so at any time via the TCF PowerPhilanthropy program website. Simply search “Ohio Poetry Association” and follow the instructions to make a donation.

The Ohio Poetry Association gratefully acknowledges The Columbus Foundation for its continued support. And we thank everyone who continues to fund our efforts
to promote the art of poetry and support poets and others who appreciate poetry.

Wednesday, July 11, 2012

OPA Annual Picnic July 21st in Athens!

Ohio Poetry Association Annual Picnic
Saturday, July 21, 2012
10:00 a.m. to 4:00 p.m.
Dairy Lane Park, Dairy Lane, Athens, Ohio 

The OPA Annual Picnic will be held at the Dairy Lane Park shelter house. The site is reserved for the entire day, so people can arrive any time from 10 A.M. on. Lunch begins about 12:30.

Electricity, running water, miniature golf, and cornhole targets are available. Alcohol is not permitted. The park closes at dark.


Bring your own plates, tableware, and a dish to share.


Susan Glassmeyer (Cincinnati) will be our featured poet and we will have an open-mic period following the feature.


Directions to Dairy Lane Park


Coming from or through Columbus:


Follow U.S. 33 East. At Lancaster, take the by-pass, not the business route. Stay on U.S. 33 through Nelsonville, then take the Route 682/ The Plains exit. Turn right onto OH 682 , through The Plains. After you cross Route 56, take the first right, onto N. Ridge Road. Bear right at the Yield sign, then right again and immediately left. Park anywhere along the right side of the street. (Just over 5 miles from U.S. 33, two-lane road.)


OR


Stay on U.S. 33 past the first OH 682 exit; follow the signs for Albany/Pomery to the second OH 682 exit. Stay to the left, and go halfway around the roundabout, out the opposite side and take the first left @ N. Ridge Road. (About 7.5 miles past the The Plains exit, four-lane highway except for the last quarter of a mile, offers a scenic view of the Ohio Univ. campus.)


From the southeast:

Follow Route 32/50 to the OH 682 exit. Exit right onto OH 682 & stay to left; go halfway around the roundabout, and out the opposite side. Take the first left (N. Ridge Road). Bear right at the Yield sign, then right and immediately left. Park anywhere along the right side of the street.

From southwest Ohio:

Coming in on Route 32/50, take the OH 682 exit, stay to the left and go halfway around the roundabout and out the opposite side. Take the first left (N. Ridge Road). Bear right at the Yield sign, then right and immediately left. Park anywhere along the right side of the street.

Sunday, May 13, 2012

OPA presents An Afternoon of All-Stars on May 19th in Bexley


The Ohio Poetry Association presents:
An Afternoon of All-Stars

Susa
n Glassmeyer

Cincinnati
Susan has dedicated much of her life to writing and promoting the art of poetry, in particular through events, classes and workshops at Little Pocket Poetry. Recently chosen by poet Marge Piercy to attend a weeklong poetry intensive this summer on Cape Cod, Susan has two published chapbooks: Body Matters (2010), and Cooks Luck (2011).

Mark Sebastian Jordan
Lucas
Mark Sebastian Jordan is an award-winning poet, living in the central highlands region of Ohio. His publications include the books 1776 & All That, Phoebe, and The Book of Jobs. His work has appeared in Pudding Magazine, Case Reserve Review, Lit Bits, Kenyon Alumni Bulletin, High Fidelity Review and elsewhere.


Rikki Santer
Columbu
s
Rikki Santer has published poetry in numerous publications, and has three published collections: Front Nine, Kahiki Redux, and Clothesline Logic, which was nominated as a finalist in the Pudding House Press national chapbook competition. Her latest collection, Fishing for Rabbits, is forthcoming from Kattywompus Press.

Lianne Spidel
Greenville
Lianne Spidel's book, What to Tell Joseme, was published by Main Street Rag in 2011. She has a published chapbook including paintings by Ann Loveland, Pairings. Her earlier chapbook Chrome is dedicated to her automotive artist father. Her poems have appeared recently in Green Mountains Review and Rattle.
Saturday May 19, 2012 from 11:30 am - 4:00 pm

Joi
n us for this FREE event!

A
n Afternoon of All-Stars is open to the public!

Schedule:


11:30 - 12:00   Members Open Mic

12:00 - 1:00      Lunch Break - on your own

1:00 - 4:00        OPA All-Stars Readings and Q & A Session

At the Bexley Public Library, 2411 E. Main Street, Bexley, Columbus, OH

OPA Business Meeting prior to event: 10:00 am - 11:30 am