Skip to main content

Selecting a Poet: Ohio Poetry Day's Process



“I've been an Ohioan my whole life, and I'm honored to be recognized in my home state,” says Maggie Smith, the newly crowned Ohio Poet of the Year. A big congratulations is certainly due for this wonderful accomplishment, awarded by the Ohio Poetry Day (OPD) Association.

    Started in 1938, this non-profit organization is interested in promoting quality writing, often through its blog, chapbooks, and contests. Long-standing member Amy Jo Zook, who functions as both treasurer and contest chairman for OPD, graciously shared the process of selecting a winner. 

These books can be nominated by any well-read person, and mostly come from publishers, literary groups or organizations, libraries, or independent sources such as friends and family. A poet may never nominate oneself and will likely not know of their nomination unless told by the nominator, or until they win the title of Ohio Poet of the Year. Similarly, Smith stated “...I honestly [knew] nothing about it. I did not know my book and I [were] being considered. I received a call while on vacation... informing me that I was selected as Ohio Poet of the Year for The Well Speaks of Its Own Poison, and I was delighted, of course.” 

As one can imagine, there are quite a few choices to narrow down, typically into a selection of four to eight books. This is the set that the judges, members of OPD who are handpicked each year, examine. 

When asked what the judges hope to see, Zook replied that the best pick is “neither too simplistic nor too abstract.” The book should be recently published, so as “to best capture the poet’s current style.” Like Smith’s work, many of the past winners’ books contain poems about or related to Ohio, but this is not required. However, and understandably so, it must be of high quality. Zook added that “the goal is to find something accessible to a large audience,” something challenging in content that would make the reader crave more of the poet’s work.

The judges then vote after comparing all the choices, and this step is done individually. Zook believes that, by waiting until after voting to discuss the poetry with the other judges, the final pick does not become a compromise. Instead, the election is more clean and clear. 

And so the election this year led to Maggie Smith, who says her book “...was largely inspired by fairy tales and folklore, but it blends those influences with my Ohio roots.”

“Many of the poems are set in or reference places that are important to me, including my childhood home in Westerville, Alum Creek, and Schiller Park in German Village,” she explains. No doubt some of these poems will feel familiar to Ohio readers! 

To hear Maggie Smith’s luncheon reading and speech, come join Ohio Poetry Day at Heidelberg University on October 15 for the award ceremony. The Well Speaks of Its Own Poison and her other publications will also be sold there. If your interest is peaked for more of Maggie’s poetry, please visit her website maggiesmithpoet.com

For more information on Ohio Poetry Day 2016, see the following articles on the OPA blog:   

Written by Logan Morales

Comments

Popular posts from this blog

OPA Ambassadors Report: NE Ohio with Ray McNiece

From the frozen tundra of the Firelands, through the rusty blast furnace of Cleveland, along the Crooked River’s ice chattering shallows of Kent, down to the worn rubber slushy tire churn of Akron, to the gritty grey clang of Youngstown there’s hot stove poetry cooking this winter all across the Northeast corner of Ohio. We boast a plethora of venues from bookstores, libraries, coffeehouses, cocktail bars and clubs where you can hear the varied carols of our poets should you dare venture out into our perpetually grey climes. Here’s a few highlights, some upcoming features and a reminder of ongoing workshops and reading series. In early December Billy Collins read at CWRU’s Maltz Center to a packed house. He often visits Cleveland thanks to George Bilgere of JCU. John Burroughs had a front row seat. The Tongue in Groove Poetry Music Jam (every third Sunday at the Millard Fillmore on Waterloo hosted by Ray McNiece) featured Mwatabu Okantah reading from his new book A Black Voice in t...

Odes of October 2024 Contest Winners Announced

OPA is pleased to announce that our judge for 2024, Karen Scott, has chosen the three winners and three runners-up for the 2024 Odes of October contest. First prize is awarded for "Restless Peace," by Jo Anne Moser Gibbons. First prize includes an award of $65 and inclusion in the 2025 issue of Common Threads, as well being published below. Second prize goes to "Scarecrow," by Dr. Anna Cates. This prize includes an award of $25 and appears below. Third prize goes to "Fall," also by Jo Anne Moser Gibbons. This prize includes an award of $10 and appears below. Honorable mention poems were: "Rite of Passage," by Claire Scott Rubin "Alone in Silence," by Jonathan Smith "Assassination Attempt Haiku," by Susan Glassmeyer Karen said she found her task made more difficult by the high quality of submissions, so each participant should be congratulated for their work. We thank them for participating and being a member of the OPA. A spe...

Barbara Sabol and Erica Reid named 2024 Ohio Poets of the Year

The Ohio Poetry Day Association has selected Barbara Sabol and Erica Reid as our 2024 Ohio Poets of the Year. Congratulations to these two amazing writers! Barbara Sabol was selected for her book of poems, WATERMARK: Poems of the Great Johnstown Flood of 1889 (Alternating Current Press, 2023) .  The poems in WATERMARK follow the path of the “great flood,” from the time prior to the perfect storm of events resulting in the disaster to the devastating aftermath and the reclamation of a bustling industrial city. The book is a poetic testimony of the great flood story through voices of the unidentified victims; their circumstances and lives imagined from morgue entries. The narrative also paints the backdrop of recovery and renewal, in the voices of survivors, telegraphers, aid workers, and historical figures such as Clara Barton. Watermark is a lyric narrative of this country’s largest and most dramatic flood of the 19th century, told from the perspective of those whose lives it ...