CALL FOR SUBMISSIONS: RIDING A GRADIENT INVISIBLE
The literary icebreaker:
"Hey, I'm Bill. I'm a poet."
"Nice to meet you, Bill. I'm Rachel. I'm a fiction writer."
Sigh.
The editors of The Carolina Quarterly have grown weary of such small talk. Yearning for a post-genre world, we seek writing that cannot be described in an elevator talk, and yet could be delivered in one. Thus, we are unveiling an experiment in Show, Don't Tell.
The Riding a Gradient Invisible Contest
Send us your poetic flash fiction, your flashy prose poetry, your twitter operetta, your post-pre-neo-un-oeuvre by June 1st to be considered for publication. No more than 500 words per experiment. We'll give you up to 4 shots per person to get our attention. No cover letters. Please, no cover letters. (Unless they constitute the entry.)
The first-place winner will receive $300. Two runners-up will receive $75. All winners will be published in an upcoming issue and featured in our online edition.
Contest entry fee is $9 -- or free with a one-year subscription to the Quarterly.
Contest judge to be announced. Probably someone super famous.
To submit, go here: http://thecarolinaquarterly.com
by Chuck Salmons If you haven’t heard by now, OPA member and Cincinnati poet Susan Glassmeyer is the winner the Ohio Poetry Day Association’s 2018 Poet of the Year award, for her first full-length collection, Invisible Fish (Dos Madres Press, 2018). On the heels of her winning, I corresponded with her to find out more about the collection and her writing process. CS: First of all, congratulations on the award! Having read Invisible Fish, I know this is an honor that is well-deserved. How does it feel to have your name among past winners such as Mary Oliver, David Baker, and David Citino? SG: I was truly surprised to win this award, Chuck. I did some research after the fact and learned about the history of the award. What an honor to be part of this venerable Ohio poet lineage! I already own a few of the books on the list, not realizing the authors had previously won the award. And although I have many of Mary Oliver’s books, Twelve Moons (winner in 1980) was not among
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