Global Call for Submissions: New $50,000 Poetry Competition

The Montreal International Poetry Prize will award $50,000for a single poem in any style and in any English dialect.

As the Montreal Prize is a grassroots non-profit in its first year, we're appealing to everyone we can to help spread the word about our project. You can find out more about us at http://www.montrealprize.com or here.

The early entry deadline for the competition is April 22.

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Odes of October 2024 Contest Winners Announced

OPA is pleased to announce that our judge for 2024, Karen Scott, has chosen the three winners and three runners-up for the 2024 Odes of October contest. First prize is awarded for "Restless Peace," by Jo Anne Moser Gibbons. First prize includes an award of $65 and inclusion in the 2025 issue of Common Threads, as well being published below. Second prize goes to "Scarecrow," by Dr. Anna Cates. This prize includes an award of $25 and appears below. Third prize goes to "Fall," also by Jo Anne Moser Gibbons. This prize includes an award of $10 and appears below. Honorable mention poems were: "Rite of Passage," by Claire Scott Rubin "Alone in Silence," by Jonathan Smith "Assassination Attempt Haiku," by Susan Glassmeyer Karen said she found her task made more difficult by the high quality of submissions, so each participant should be congratulated for their work. We thank them for participating and being a member of the OPA. A spe...

OPA Ambassadors Report: NE Ohio with Ray McNiece

From the frozen tundra of the Firelands, through the rusty blast furnace of Cleveland, along the Crooked River’s ice chattering shallows of Kent, down to the worn rubber slushy tire churn of Akron, to the gritty grey clang of Youngstown there’s hot stove poetry cooking this winter all across the Northeast corner of Ohio. We boast a plethora of venues from bookstores, libraries, coffeehouses, cocktail bars and clubs where you can hear the varied carols of our poets should you dare venture out into our perpetually grey climes. Here’s a few highlights, some upcoming features and a reminder of ongoing workshops and reading series. In early December Billy Collins read at CWRU’s Maltz Center to a packed house. He often visits Cleveland thanks to George Bilgere of JCU. John Burroughs had a front row seat. The Tongue in Groove Poetry Music Jam (every third Sunday at the Millard Fillmore on Waterloo hosted by Ray McNiece) featured Mwatabu Okantah reading from his new book A Black Voice in t...

CREATING POETRY CHAPBOOKS

Adapted from a workshop delivered for the AOCI W.R.I.T.E.R.S. Group by Chris Minton What is a chapbook? Chapbooks were originally known as "street literature" because they were primarily sold on the streets by traveling salesmen known as chapmen. These small, inexpensive booklets contained a variety of content like ballads, folk tales, and religious tracts, and were a popular form of reading material for the common people, particularly those with limited access to more expensive books (for example, in rural areas). Today, chapbooks are normally used by poets to accomplish a speciﬁc objective, which may include: To create a sample of their work for publishers or other parties To target a speciﬁc, interested audience To get their work into circulation quickly To make it more aﬀordable (for both the author and reader) To create enough work over time to warrant a full-length collection To demonstrate their commitment to the craft To give as gifts to family and friends Features of...

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